CYNTHIA FLOREK ANTHONYis a dancer, instructor, choreographer, director and producer. Under each of these headings, Cynthia’s work encompasses contemporary and Broadway jazz, urban hip-hop and classical ballet as well as specialized production expertise in musical theatre. She developed her professional skills with The Young Americans, performing extensively across North America and Europe as a featured Broadway, ballet and jazz dancer. Cynthia’s work went on to include dance and acting training with top studios in Paris, New York, Chicago and Los Angeles and multiple appearances in television commercials and on hit shows such as “Frasier” and “Desperate Housewives”. Later Cynthia successfully founded her own production company, Bravo Productions. Over the course of nine years, she produced countless dance and musical theatre productions and several international dance festivals. In addition to her proficiency as a director, she is sought after as both Master Instructor and choreographer. Cynthia’s wide ranging expertise allows her to assist students in developing a deeper understanding of different dance forms. She cultivates self confidence by praising individual success and achievement. Celebrating these accomplishments, she then incorporates each student’s growing skills and self awareness into more complex dance combinations. With this foundation, Cynthia has proven that children not only participate more enthusiastically, but also superbly perform her challenging choreography. Under Cynthia’s direction, students gain valuable exposure to performance preparation and implementation, versatility as a dancer and the joy of self expression through movement.
CARMEN BANU was selected at a young age from many candidates to study ballet at the National Choreographic Institute in Bucharest, Romania. Upon graduation nine years later, she became a member of the National Opera Company, where she performed in all of the classics, including Swan Lake, La Bayadere, and Coppelia. Her most notable roles were as Kitri in Don Quixote, and as Giselle, in the title role. Ms. Banu continued her career in television and musical theater, performing many dance styles throughout Europe and Asia. As a teacher and coach, Ms. Banu taught ballet in Romanian public schools, and eventually became a choreographer for the Romanian National Gymnastics Team. In America she has taught Ballet, Ballroom, Character, Latin, and many other styles. We are looking forward to welcoming her as a full-time faculty member.
INDAH BOYLE, who teaches Teen Modern at the Studio, grew up overseas and has studied and performed dance in Taiwan, Singapore, Malaysia, Indonesia, Thailand, Spain, and Canada. She received her B.F.A. in Dance from the Conservatory of Dance at SUNY Purchase College. As a modern dancer she has performed the works of Bill T. Jones, Doug Varone, and Monica Bill Barnes. She has taught Ballet and Modern for several years in the New York Metropolitan area and has been a guest artist at international dance conventions in Southeast Asia. Last year Ms. Boyle choreographed and taught modern dance at Taipei American School in Taiwan for two months. As an emerging choreographer in New York City, Ms. Boyle has showcased her work at Dance New Amsterdam, The American Dance Guild Festival, Movement Research at Dance Theater Workshop, Dixon Place, and more. Her work has also been featured at venues in California and Taiwan. Ms. Boyle also holds a 200-hour Yoga Teacher Certification from Aloka Life Yoga as well as a Pilates Mat Certification. You may read more about Indah on her website: indahboyle.com.
DAVID FERNANDEZ Born in Mexico City, David Fernandez studied at the Centro de Arte y Ballet. He immigrated to the United States in 1989 after winning a scholarship to Giordano Jazz Dance in Chicago. He performed with that company as well as with the Boitsov Classical Ballet and the Lyric Opera of Chicago Ballet. Since moving to New York, Mr. Fernandez has become a sought-after choreographer and teacher. His most recent commissions have been a new ballet for the Dance Theater of Harlem Ensemble, The Raven for the New Jersey Ballet, and White Shirt, Black Tie, Black Pants, for the Vassar Repertoire Dance Theater. His solo for NYCB principal, Joaquin de Luz, was performed in the Kings of the Dance 2009-2010 world tour and at the Youth America Grand Prix Gala at City Center in 2010. As a teacher, he has participated in two outreach programs, Eliot Feld’s Ballet Tech, bringing ballet to NYC’s public schools, and American Ballet Theater’s Make a Ballet program. David is also on the faculty of the Joffrey Ballet School and Westport’s Acaademy of Dance. You may read more about David on his website: davidferndance.com.
KIMBERLY GIANNELLI, who continues to dance professionally, began her ballet training at the Scarsdale Ballet Studio and has performed featured roles in many Studio performances. She has continued her studies with some of the most prominent teachers in the New York area. Ms. Giannelli has danced in many venues in New York, such as Lincoln Center, Riverside Church, the Downtown Dance Festival, and Bryant Park, appearing with several companies, including Eidolon Ballet, Ballet Deviare, Gleich Dances, Classics Dance Theater, and Ballets With a Twist. She was featured on PBS for her work in the Tribeca Arts Festival with choreographer Pedro Ruiz in his piece, Pasajes de Amor. Ms. Giannelli has been teaching ballet, creative movement, and contemporary dance at the Studio and elsewhere in the New York area for many years. Ms. Giannelli also works in the marketing department at the New York City Ballet, where she has developed and launched a new program “the Assemblé Project” which makes ballet performances and tickets more accessible to young dance students. She holds a B.A. in Psychology from Manhattanville College. To learn more about Ms. Giannelli’s latest projects, you may visit her website: kimberlygiannelli.com.
VIRGINIA H. HONNEUSstudied dance and theatre at Stephens College and the Yale School of Drama, where her teacher was Pearl Lang. She continued her ballet studies in New York City with many noted teachers including Gabriela Darvash and David Howard. In Westchester, she has performed as a modern dancer with groups throughout the county, and danced principal roles in Carousel, Evita, The King and I, and Man of La Mancha. In New York City, she has performed at the 92nd Street Y and Lincoln Center’s Alice Tully Hall. She has taught children and adult ballet classes in Scarsdale, Chappaqua and Pound Ridge and has been a member of the faculty of Scarsdale Ballet Studio since 1998. She specializes in teaching adults with little or no previous training, believing in the value of classical training as a basis for movement in other disciplines. Ms. Honneus is an ABT® Certified Teacher, who has successfully completed the ABT® Teacher Training Intensive in Primary through Level 5 of the ABT® National Training Curriculum.
ELIZABETH KAWALEK, a recent graduate of Fordham University, began her intensive ballet training at Scarsdale Ballet Studio under the direction of Diana White. While continuing to perform along side her SBS peers, Ms. Kawalek also began to assist in teaching Creative Ballet classes and the Summer Intensive, developing a strong interest in teaching and studio administration. In 2010, she earned a certificate in the Leap ‘N Learn creative dance syllabus, which utilizes child psychology in dance education. Ms. Kawalek also serves as assistant to Ms. White with administrative and creative initiatives.
SIMEON KAZANTSEV was born in Russia and attended the famous Bolshoi Ballet Academy in Moscow, where he successfully completed his dance training in 8 years. Upon graduation, he joined the Stanislavsky Ballet, one of Moscow’s leading companies. He toured internationally with that troupe, dancing solo roles in such classics as Giselle, Swan Lake, La Esmeralda, Le Corsaire, Don Quixote, and the Nutcracker, as well as performing prominent roles in contemporary ballets. At the same time, he attended the Bolshoi Ballet Academy College, where he earned a BA in Pedagogy and Dancing and became an assistant to the late Professor Alexander Bondarenko, who was a leading authority on ballet technique and coach to many principal dancers of the Bolshoi Theater. In 2003, Mr. Kazantsev came to the United States to join the Boston Ballet. In America, he discovered that his real passion was teaching. He loves to teach at every level, and does so nearly every day at SBS. He also co-directs the SBS Summer Intensive. He enjoys choreographing and rehearsing dances for Studio performances, as well as occasionally dancing the lead male roles.
RENEE LAVERDIEREtrained at The National Academy of Arts and was a scholarship student at the Joffrey School in New York City. She danced under the direction of Edward Villella at the Eglevsky Ballet as well as in the New Jersey Ballet and the New World Ballet. She has been teaching in Manhattan and Westchester for the last fifteen years.
MARIA POSEY, Master Teacher of Creative Ballet, was a member of the corps de ballet at Radio City Music Hall, the Kansas City Opera, and the Philadelphia Opera. She holds a Bachelor’s Degree in English and Education and a Master’s Degree in Counseling and Development. She has taught at the Studio since 1992.
ROSEMARY SAURstarted dancing at the age of 7 years and was accepted into the Conservatory Bush Davies School by the age of 11, where she studied under the guidance of Noreen Bush. Her professional experience took her to Tel Aviv, Israel, where Ms. Saur performed with the Israeli Classical Ballet and later with the remowned modern company, Bat Dor. After returning to England she completed a teaching diploma at the Imperial Society of Teacher’s of Dancing in Bedford, before accepting a teaching position in Mainz, Germany. She also performed as a dancer at the Mainz State Theater. In 2010 Ms. Saur completed the Professional Dancer’s Teaching Diploma (P.D.T.D.) at the Royal Academy of Dance in London, England. She has been teaching at SBS since 2008.
ELLEN SHEA Ellen Shea trained at the School of American Ballet for six years and performed numerous children’s roles with the New York City Ballet. At 15, Jean-Pierre Bonnefoux awarded her full scholarship to the Chautauqua Institute, where she danced lead roles with the Chautauqua Festival Ballet. She also performed with the Ballet Theatre of Boston while completing her undergraduate and graduate Architecture degrees at MIT. In 2005 Ms. Shea joined the faculty at the Scarsdale Ballet Studio. For Scarsdale Ballet’s Concertdance she staged Chopiniana (2010) and created new choreography for Swan Lake(2011). In her classroom, Ms. Shea draws on her knowledge of the visual arts, design, and physics to teach the mechanics of classical ballet technique, and to develop musical and artistic awareness in young dancers.
FRONDA SOBELwas a member of the Metropolitan Opera Ballet. She also appeared with the Bolshoi Ballet, the Royal Ballet, and on the television series, Omnibus, under choreographer, Agnes De Mille. She has choreographed ten musicals and has extensive experience teaching all levels of jazz and ballet in Westchester.
ABI STAFFORD is a principal dancer with the New York City Ballet and an international guest artist. Born in Carlisle, Pennsylvania, she began her dance training at the age of six with the Central Pennsylvania Youth Ballet, under the direction of Marcia Dale Weary. Ms. Stafford entered the School of American Ballet full time in the fall of 1998. She was invited to become an apprentice with New York City Ballet in November 1999 and joined the corps de ballet in January 2000. She was promoted to the rank of soloist in January 2002 and principal dancer in December 2007. Ms. Stafford has performed principal roles in many works by George Balanchine, including Concerto Barocco, Divertimento No. 15, Episodes, Emeralds, Square Dance, Symphony in C, Tchaikovsky Pas de Deux, and Who Cares?She has also performed featured roles in works by choreographers such as Jerome Robbins, Peter Martins, Christopher Wheeldon, Alexei Ratmansky, and many more.
JENNIFER TINSLEY-WILLIAMS, guest faculty, is a native of Dallas, TX. She moved to New York City as a teenager after being accepted into the School of American Ballet. Two years later, she was invited to become a member of the New York City Ballet. Her career with the company spanned eighteen years, the last nine years as a soloist. Some of Ms. Tinsley-Williams’ most memorable roles included the Lilac Fairy in Peter Martins’ Sleeping Beauty, Hermia in George Balanchine’s A Midsummer Night’s Dream and principal roles in Balanchine’s Symphony in Three Movements, Agon, and Western Symphony. She has worked with such esteemed choreographers as Jerome Robbins, Peter Martins, Christopher Wheeldon and Eliot Feld. Ms. Tinsley-Williams’ film and television credits include George Balanchine’s The Nutcracker and Live from Lincoln Center. Ms. Tinsley-Williams has taught at numerous schools, most notably the School of American Ballet and New York State Summer School of The Arts. She is currently a teaching artist with New York City Ballet’s education department. Ms. Tinsley-Williams has staged excerpts from Balanchine’s Episodes for SBS as well as choreographed several show-stoppers for SBS year-end recitals.
DIANA WHITE was born in Park Ridge, Illinois and began her ballet training with local instructors when she was four years old. At fourteen, she became a member of the Lyric Opera of Chicago Ballet, then under the direction of Maria Tallchief. There, she was seen by George Balanchine, who awarded her a scholarship to the School of American Ballet. He invited her to join the New York City Ballet one year later. During her twenty-year career at NYCB she worked closely with Balanchine and Jerome Robbins. Her repertoire included principal roles in works by both masters, including Balanchine’s Apollo, The Four Temperaments, Western Symphony, Serenade, Liebeslieder Walzer, and Jewels, as well as Robbins’ Dances at a Gathering, The Cage, Goldberg Variations, Moves, a ballet in silence which was revived in 1987 especially for her, and many more. The year she was promoted to soloist, Peter Martins created a principal role for her in his ballet The Waltz Project. Ms. White toured internationally with NYCB and as a guest artist with other companies. She has appeared several times on public television’s Live From Lincoln Center, and Great Performances.
In 1992, while still performing with the New York City Ballet, she co-founded the Scarsdale Ballet Studio with former partner, Christian Claessens. In addition to teaching and coaching, Ms. White has choreographed several ballets for her students including the Carousel Waltz, which was performed at the Westchester Philharmonic’s 20th Anniversary Gala. From 1998 to 2001 and again in 2010 she was on the faculty of the Conservatory of Dance at Purchase College. She is a master teacher and judge for the Youth America Grand Prix, a competition which awards scholarships to major international ballet schools, and is also a faculty member of Dance New York International, a summer program in Paris and Madrid directed by Kazuko Hirabayashi. As a repetiteur with the George Balanchine Trust, Ms. White stages his works worldwide. She is the author of a children’s book, Ballerina Dreams,published by Scholastic.